The Top 5 Black & White Photography Tips

Gates of New York

Black & white photography, for me, is one of the most interesting and inspiring aspects of this art form we call our hobby and passion. It’s raw & refined, natural & unusual, bold & subtle, mysterious & open, emotional & impassive, simple & complex, black & white & everything in between. The monochromatic image has been with photography since the beginning, but what began as the only way to capture images has turned into something much deeper.

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Interested in stepping-up your black & white game? Here are five tips to get you going in the right direction. If you want to learn more about the actual black & white conversion process in Photoshop, see my past entry that lays out 12 Ways to Make a Black & White Photo.

Dark Architecture


An experienced black & white photographer can see the world without color. They’ve trained their mind to pick up contrast and tone while blocking the distraction of colors. This isn’t a skill that you can pick up in a short amount of time; it’s something that comes naturally in time. I can’t say that I’m gifted enough to have monochrome vision, but I have been able to notice certain scenes and subjects that would lend themselves to black & white.

One way to help train your brain is to make a conscious effort — in other words, practice. Trevor carpenter gave us the perfect example when he started his October Challenge. Basically, he decided to limit his photography to black & white for an entire month. This gave him a chance to experiment with the medium and learn from his own work, and in his project recap he states “I have found, especially in recent days, that as I’m shooting and conceiving a shot, I see the potential impact of the composition in black & white.

Zig Zag


Black & white photography is about the black, the white, and all the tones in between. The human eye is built to pick up two things: light intensity and color. When you remove the color, your eyes become more sensitive to the light intensity. We naturally pick out areas of contrast — it’s how we distinguish one thing from another. As a black & white photographer, your main objective is to make your point with shades of gray. Use contrast to show your onlookers what’s important and what’s not. Seek out scenes that naturally show signs of high contrast, and your black & white photos will be more compelling right from the start.

When post-processing a black & white image, the use of Photoshop techniques like levels, curves, and layer blends give you a wide variety of output options. In addition to these things, burning and dodging are highly effective methods of improving contrast. They work so well because they allow you to focus the edit on a localized portion of the image without affecting the surrounding areas.



Texture is really just a form of contrast, but it is perceived quite differently. If you think about it, texture is the regular or irregular pattern of shadows and highlights at various intensities. Black & white photos really lend themselves to texture because color generally add another layer of complexity, thus masking most subtle textures. Look for areas of interesting texture that can be photographed by zeroing in on specific surfaces and examining them for signs of patterned contrast.

The choices you make in post-processing can really make a difference in the texture too. During the black & white conversion, you can usually pull texture out of otherwise smooth surfaces based on your choice of conversion methods. In digital photos, blues and reds generally contain more noise than greens, so tools like the channel mixer and the black & white adjustment layer in Photoshop can really accentuate those embedded textures.

Dark Flower


This is mainly aimed at digital photographers… If your camera gives you the option of shooting in color or black & white, NEVER shoot in black & white. The camera is really capturing color, then converting to black & white. Photo editing software can do a much better job at the conversion, and you’ll have more flexibility on the output of the final image. It’s really amazing how different a photo can look solely based on the post-processing, so it’s best not to limit yourself before the photo even makes it out of the camera.

The one exception to this rule is if you wanted to use the black & white capture to give you a preview of what the scene might look like as a monochrome image. It may help you identify good black & white scenes more immediately, but once you find your shot switch back over to color capture and shoot it again.

Under the Weather


Black & white film photographers make use of color filters to change the captured tones in their photographs. Ever see those monochrome images with dark skies and puffy white clouds? That’s not natural; it requires the use of color filtering to produce the desired effect.

Using an actual color filter with a digital camera is perfectly acceptable and it has its merits, but it’s not completely necessary. Software like Photoshop has the ability to apply non-destructive color filters. It also has the ability to produce the same results as a color filter during the black & white conversion. For those of you using Photoshop CS3, you’ll see that the black & white adjustment dialog has several preset filters that can be applied and modified to suit the photo.

So if you’re interested in pursuing a little black & white photography, really think about these things — before, during, and after you shoot. Anybody can produce black & white photos, but it takes a little more thought and skill to produce good black & whites.

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About Brian Auer

a photography enthusiast from North Idaho. He's also the guy behind the Epic Edits Weblog. As a hobbyist photographer since 2003, his passion has been to constantly improve his photography skill set, to share his own knowledge with others, and to become an integral part of the photographic community.

46 thoughts on “The Top 5 Black & White Photography Tips

  1. Trevor Carpenter

    Brian, I am honored and humbled at your reference to my October Challenge. That experience was one of the most challenging and rewarding personal projects I’ve ever attempted.

    Thanks for the mention.

  2. Brian Auer Post author

    No problem dude. That was a really cool idea you had, and you stuck to it through the whole month with some really great results throughout.

  3. libeco

    I must say I don’t really like b&w photo’s. On rare occasions I like b&w, mainly when seeing them in HDR, or with extreme contrast/detail shots. Just a matter of taste I guess…

  4. Brian Auer Post author

    Oh, now you’re going to hurt my feelings. How can you not like b/w? It’s classic! Maybe I’m just a freak, but I have a huge soft spot for black & white photos. I’m not to the point where I won’t look at or shoot color, but I definitely prefer to look at the monochromes. I even subscribe to “B&W” magazine — it’s filled with awesome photos.

  5. libeco

    Sorry, perhaps I’m too young, lol. I think 90 % of the b&w I see is just there because it is b&w withut anything interesting. It’s like making a HDR-image without an interesting picture, just because of the technique…

  6. Brian Auer Post author

    I know what you mean — bad photos can be without color too. For as much as I love b/w, I don’t do a whole lot of it. I generally only do b/w if the image really does look better without color. But then, that’s the point of the article — there’s a lot more to black & white photography than just the removal of color.

  7. the_wolf_brigade

    I love black and white to the point where I don’t even buy colour film anymore. I’m hooked – even more so after taking on board Trevor’s challenge. I learnt so much in the past month.

    While I always shoot (on film) with a red 25A filter for extra contrast, I read recently that if combined with a circular polarizer (CP) the effects can be mind blowing – particularly for skies. As the CP is one of the few effects that cannot be truly imitated in Photoshop or similar programs, I would imagine that this advice would also apply to digital. ie. Shooting with a CP then converting to b/w with one of your aformentioned techniques should give increased dramatic contrast.

    @libeco: To a certain point I must agree with you. Until recently (when a friend made some suggestions) I too was making bad b/w images with limited contrast. I think for a b/w image to be good the contrast is vital purely because it acts as the ‘colour’ in the image. This is evident in all Brian’s photos in the post. On Flickr search for ‘Rui Palha’. IMHO he is the master of contrast.

    @Brian: One more suggestion for a tip would be composition. While texture in a b/w photo allows complicated compositions, if there is limited texture then it seems to become even more important to chose a subject that works in isolation. Your photo of the steps as well as the ship are prime examples of this. While there is limited texture, the simplicity is strong and really highlights the main subject.

  8. Brian Auer Post author

    Great advice on that CP filter — they’re handy for b/w and color alike. And composition definitely plays a role in black & white photography. I suppose I didn’t mention it because I feel that it should apply to all photos as the most basic and primary rule for better photos. In my mind, composition is the foundation that a photo is built upon.

  9. Big 40wt Svetlyak

    the_wolf_brigade: You should try a Neutral Density Gradients (NDG) too, they are very helpful especially for landscape photography. With help of one or more NDG filters, you can decrease the scene’s contrast, if it is more then dynamic range of the medium.

  10. inspirationbit

    there’s something magical about b&w photography – it sets a different mood and deep in our mind we do see a b&w photo in colour, but then it’s up to our imagination to apply those colours. It’s just like watching those b&w movies. You can always tell if someone’s eyes are light blue on a b&w photo, even if you don’t see them in colour.

    P.S. Btw, I really like your blog’s new look, Brian.

  11. Brian Auer Post author

    You’re darned right it’s magical, Vivien. I really (hopefully) don’t see black & white photography dying out the way it has in the movies — it’s so deeply rooted in the artistic side of the medium.

  12. Trevor Carpenter

    @libeco: I must say that I too had a limited view of B&W photography. That’s one of the reasons I lead the October Challenge. Knowing that B&W photography is fundamental to the photographic learning process, I knew that I’d need to embrace it before I was able to grow in my photography.

    I plan to tackle new challenges in the future. Mainly, I want to challenge myself to shoot techniques, methods, and subjects that I don’t like to understand. By doing this intentionally, I hope to expand my skill and understanding of a balanced photographer.

  13. gregor

    really nice article .
    the pictures used to illustrate the topic are fantastic.
    black and white fascinates me ever since. for me it is hard to shoot in color by now because i always think i can get more out of an image when converting it into b&w.
    | GW |

  14. Ed Z

    Another great article! I love Black and White photography, I find it has a certain simple beauty that moves me. I started off shooting black and white film, I dont think I ever even shot color film. (that’s not true, I did, but rarely!)

    I keep wishing for a DLSR with a dedicated black and white sensor (since it would not need a bayer array or whatnot it could provide a ton more detail/resolution from the same number of pixels)

    but for the time being, it’s fun to play with B/W conversions!

  15. Brian Auer Post author

    A black & white sensor would certainly be interesting — it would require more work to get the capture right since you wouldn’t be able to play with the color channels after the fact. But it would certainly provide better pixels since you could avoid interpretation.

  16. Dave Mac

    I too love B&W, in fact to the point that I have a separate profile on Flickr (Colour Void) for my B&W photos. It is so unique unto itself in not only appearance, but technique, that it is a different art form when compared to colour photography. At least in my opinion! :)

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  18. Jessica

    Would it be possilbe if i could use your tips for a presentation (speaking and listening) in my english. I chose photography for my subject because i just love it. But i only would like to borrow a few of your sentences because i agree completely. I’ll do the rest myself. Thanks x

  19. Juan

    could i use some of your sentences for insparational purposes
    i will leave all credits to the creator.
    I share the same passion for black and whites.Thanks


  20. pic_chick

    i love b&w pics. i think most of them make the picture have more depth to them. i love all of the them posted above. nice work <3

  21. pSQUARED

    I’v just started B&W photography and i love it!!!i’m totally hooked.i think this blog is a great place for tips.thanx Brian.cheers.

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  23. Nancy

    these are some excellent black and white tips. What I do is tend to capture in color and then do the change. The best tip you presented here is the "practice practice practice" one. Thanks.

  24. Albert

    I love black and white pictures. For some reason, it always brings out that vibe that is most appealing to me. It gives it more emotion and feel to it. Great captures by the way.

  25. Jason

    Great tips and thanks for posting. I prefer to shoot in colour and change to black and white in Photoshop as it gives you more room to maneuver with tones. Adding a fine texture here and there can also enhance certain monochrome images.

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  27. Tom Stappers

    Thanks for promoting black & white photography. From the reactions I even understand that you have introduced some newcomers to it, which is great! Personally I have always done b&w film photography and still do, so I hope it will be around forever (including the hardware etc.). So practically speaking, every enthousiast helps, even though for the moment some are using digital only…

  28. Tom Stappers

    By the way, now’s the time to buy a high end film camera, because quite a few photographers exchanged their analog camera’s for digital camera’s, so make your choice!

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