[Purchase a Print] [See it at Flickr]
This photo was taken at a location very close to my home, and I’ve shot there many times. It’s a gliderport near Torrey Pines State Park, sitting atop a 300-foot sand cliff overlooking Black’s Beach. Just to the side of the gliderport, there’s an area where you can walk right up to the point of steep decsent. This scary little lifeguard station sits perched right near the edge.
I shot using my wide angle lens to capture the vast openness of the scenery. The lifeguard was unaware that I was taking a photo of him, so his pose is quite natural. The lighting really sucked because it was heavy overcast and the sun was setting, but it worked out just fine.
All of the post-processing on this photo was done with Adobe Camera Raw 5. The intent wasn’t to use extreme processing or fancy tricks to get an interesting outcome — it was only to make small adjustments where necessary to convey a true lifelike scene.
- UNPROCESSED RAW
Being very overcast and slightly dim, the original image doesn’t show much of the detail and color that was present in the scene.
Temperature = 6050; Tint = +3; Exposure = 0; Fill Light = 10; Blacks = 8; Brightness = +24; Contrast = +50; Clarity = 0; Vibrance = +30; Saturation = +10;
So I basically filled in some of the shadows, deepened the blacks, brightened up the whole image, added some contrast, and boosted the overall colors.
- TONE CURVE
Highlights = 0; Lights = +25; Darks = -10; Shadows = 0;
Here, I’ve just added some contrast to the mid-tones while maintaining my extremes.
Amount = 50; Radius = 1.5; Detail = 25; Masking = 0; Luminance = 35; Color = 25;
These are pretty typical sharpening values that I use with my Sony a700, but I’ve bumped up the Luminance Noise Reduction a bit more than usual because I was seeing some junk up in the clouds and the water (blues suck for noise).
Aquas (Hue) = -30; Aquas (Saturation) = +15; Blues (Saturation) = +30; Aquas (Luminance) = +16; Blues (Luminance) = -5;
This is where a lot of the magic happens with this photo. I love utilizing these controls in colorful scenes to pinpoint the look for each specific color. By lowering the Hue of the Aqua, it turned more green. Bumping up the saturation on Aqua and Blue made them stand out more. Boosting the luminance of the Aqua made it separate better from the rest of the water, as did lowering the luminance of the blues — and it gave the sky a better tone. I would have dropped the blues even further, but the noise really started to kick up.
So that’s it really — no Photoshop or local adjustments. Just a few small changes with the raw processor.