Brian Auer | 02/22/2009 | Salton Sea, CA | 10mm * f/5.6 * 1/350s * ISO200

This photo was taken over at Salton Sea on the way to the Sonny Bono Wildlife Refuge at the south end of the lake. The three dead oak trees in the photo are somewhat of an icon for the area, and I’ve seen many photos of them before. I just so happened to arrive at this location a few minutes prior to sunset and the clouds on display were quite amazing. Shooting with my wide angle lens gave me the opportunity to catch the great textures in the ground along with the clouds in the sky.

I took several shots from this location and perspective, but I liked this one the best. I think that the strong symmetry right at center frame works well for this photo, and the difference in scenery between top and bottom frame helps to break things up. Looking back now, I probably would have shot at f/8 rather than f/5.6 to get a little better DOF and sharpness. And a graduated ND filter would have produced a much more balanced exposure, resulting in higher quality shadows and highlights. But… too late now! Maybe next time.

Salton Sea Sunset Post-Processing

This image did fairly well on Flickr recently, probably because of the extreme colors presented. Above, you can see my workflow from start to finish. And below, you can read how I processed the image using Adobe Camera Raw (all of which can also be done with Lightroom). The reason for the crazy colors is because I was trying to reproduce a cross processed effect similar to that of Velvia 100 slide film. I don’t know that I made my goal, but I’m not too disappointed with the results of this one.

  1. UNPROCESSED RAW
    A bit underexposed in the foreground, but I wanted to keep the highlights from completely blowing out. This is where a graduated ND filter would have helped out.
  2. BASIC ADJUSTMENTS
    Temperature = 6750; Tint = 0; Exposure = +.35; Recovery = 18; Fill Light = 48; Blacks = 12; Brightness = +65; Contrast = +80; Clarity = 0; Vibrance = 0; Saturation = 0; I warmed the photo up a little bit while also pulling out some of the shadows and pushing down the highlights. Basically, I tried to get the foreground in good shape without worrying about the sky (which is where this next step comes in).
  3. GRADUATED FILTER
    Since the sky was totally blown out from the previous settings, I needed to get things back to normal. I used a horizontal graduated filter with a -1 exposure just above the horizon. I also used a vertical graduated filter with a -.5 exposure to take the left side down a bit more. These filters allowed me to keep the foreground where I set it while pulling the sky back to a usable state.
  4. TONE CURVE
    Highlights = -32; Lights = +40; Darks = -8; Shadows = 0; This was just a quick adjustment to the tones in order to get a bit more contrast out of the image while holding back those bright highlights.
  5. SPLIT TONING
    Highlight Saturation = 0; Shadow Hue = 30; Shadow Saturation = 80; Balance = -59; This is where most of the crazy colors come from. I pushed all of the shadows and midtones into a very red hue, which is what usually happens with the Velvia 100 when cross processed.
  6. HUE, SATURATION, LUMINANCE
    HUE: Orange = +100; Yellow = +25; Green = -70; Blue = +30; SATURATION: Red = +100; Orange = -100; Blue = +50; Purple = +50; LUMINANCE: Orange = +15; Green = +40; Aqua = +20; EVERYTHING ELSE = 0; In this step, I toyed around with the colors a bit more to give me something other than pure red tones. Mostly, I wanted to get the portions of the sky to turn purple since that’s an effect I’ve seen with the xpro’d Velvia film. I also tamed down some of the orange and red in the water areas.

So there you go! If you have ACR or Lightroom, try out some of these settings and see what you can come up with. It’s always fun to experiment with these things.

In addition to the settings above, I applied sharpening and noise reduction as needed.

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Great work, Brian! Excellent shot, and I like the processing.

July 18, 2009 8:11 am

I gotta say that this looks pretty freaking awesome dude. The way that the Velvia caught those streaks of clouds radiating from the middle was something that I hadn’t even noticed in my own images.

July 22, 2009 9:18 pm

Nice job. With the process, the final pic looks completely different. However, it’s not my type. The color is too extreme to me.

July 25, 2009 2:41 pm

Beautiful! My family and I were in Cali on vaca in June and we went through the Salton Sea.

July 31, 2009 2:05 pm

Wow this image is stunning! My lucky number is three so seem to feel a little ‘closer’ to photographs with three subjects as with this photo. Love the contrast between the ‘old’ trees and somewhat modern skyline.

Beautiful image and thanks for the settings, always comes in handy when thinking: ‘how do they do that!’

August 10, 2009 2:30 am

Comment now!
















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