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Archive for the ‘Features’ Category

Making Fine Art Prints: Framing

June 24th, 2009

We’re really coming along on this series! Almost to the finish line now! In this article, we’ll be covering the topics of matting, mounting, and framing your fine art prints. These are really the final steps in producing the artwork, and they’re equally important as the other steps. Read on for some tips and guidelines, and be sure to share your thoughts and insights in the comments!



Making Fine Art Prints: Signing

June 10th, 2009

Finally, we’re getting to the less discussed topic of producing fine art prints: signing. I’ve had a few people ask the same questions about where to sign, how to sign, what to sign with, etc. If there existed an official rule book, set of laws, or holy parchment that contained the answers I’d direct everybody to the web page. But I don’t think something like that exists, and I know the process of signing fine art is less than defined.



Making Fine Art Prints: Printing

June 1st, 2009

I think we’ve covered the bases for general preparations, so now it’s time to start making that print! This is really the first step in producing a fine art print, but it’s not any more or less important than the other steps. If I could give just one piece of advice in this article, it would be to make the final print at the highest quality humanly possible. Here’s a few tips and advice for making that happen.



Making Fine Art Prints: Preparing

May 25th, 2009

With fine art prints, preparation is probably the most important step in the process. So many things are dependent on other things, it’s imperative that you have a clear path defined. The end product is your goal, but the process is the path you must take. If that path is ill-defined, your final product will be something less than fine art. In this article, we’ll simply talk about the preparation that must take place before producing your final work.



Making Fine Art Prints: Preface

May 22nd, 2009

Before we dive into the main topics for this series, I wanted to mention a few things to set the tone. These are things that should hold true for the length of the series, and I don’t want to waste precious real estate on repeating myself with each article (plus, it’s really boring to hear over and over).



Making Fine Art Prints: Introductions

May 19th, 2009

Making prints sounds simple at first — just hit the print button, right? Well… yes and no. Prints can actually be quite involved depending on how far you want to go with them. Once you cross the line of producing a signed print, you’re basically putting your integrity on the line. A signature is a “seal of approval” when it comes to prints, and this is something you shouldn’t take lightly. This is an intro to an upcoming series.



8 Tips for Shooting Extremely Wide Angles

May 9th, 2009

Wide angle photography can be fun and challenging at the same time. On one hand, it’s great to pull in so much of a scene with a single shot. On the other hand, it can be difficult to produce a well composed photo at such a wide perspective. So I’ve pulled together a few photos and pieces of advice for shooting with wide angle lenses.



11 Tips for Candid Street Photography

April 29th, 2009

Candid street photography, or candid portraits, can be some of the most interesting photos captured in everyday places. Heading out into the crowd with a camera is exhilarating and intimidating at the same time. Great photographic scenes play out on the streets right before your very eyes, but people are quick to recognize the camera and ruin the opportunity. Being covert without being creepy — it’s all part of the game we call street photography.



My Favorite Film After a Year of Shooting

April 8th, 2009

I started shooting film right around April of 2008, and here we are a year later! Over time, I’ve come to be very selective about the films I use. Also in the last year, more and more people are getting into film and asking me which film to use. Of course, that kind of thing is dependent on many things. But if you’re completely new to film photography, it’s nice to have some advice to start with. So here are 11 of my favorite films after a year of shooting.



Film Review: 120-Format Kodak Ektar 100

April 6th, 2009

I managed to get my hands on some 120-format Kodak Ektar 100 before it was available to the general public, and I was given the opportunity to conduct an informal review of the film. I found the colors to be extremely natural and pleasing under daylight conditions. And the sharpness and grain are absolutely to die for. In general, the film has the best characteristics from both slide film and color negative film. Read on for my informal review.