Tag Archives: fujifilm

Link Roundup 05-15-2010

My Favorite Film After a Year of Shooting

I started shooting film right around April of 2008, and here we are a year later! At first, I basically bought one of everything and just tried all the different films available to me. Over time, I started leaning toward certain brands and even specific films. Now, I’m fairly picky about what I shoot — though I’m always open to trying out new films (or at least new to me).

Also in the last year, more and more people are getting into film and asking me which film to use. Of course, that kind of thing is dependent on what you’re shooting, which camera you’re using, what the light is like, what kind of mood you’re going for, and personal preference. But if you’re completely new to film photography, it’s nice to have some advice to start with. So here are 11 of my favorite films after a year of shooting.

BLACK AND WHITE FILM

A Dreary WorldIt's Lonely Out HereSpin Me!CruisersMetal and GlassTicket Booth

Black and white is definitely my favorite when it comes to film. Each film captures the scene a bit differently at varying levels of contrast, dynamic range, and tone representation. Here are five of my favorites.

  1. ILFORD PANF PLUS
    This one is my favorite film of all. It’s a medium contrast low speed (ASA 50) film that goes nicely with old cameras. I love using this film in my TLR on a sunny day because it allows me to open up the lens for a shallow DOF.
    See my sample photos on Flickr
  2. ILFORD HP5 PLUS
    This is my go-to film for any time the sun isn’t shining. Also a fairly medium contrast film, but with a faster speed (ASA 400). Awesome dynamic range with great looking grain. A very versatile film, capable of being pushed to ASA 3200 and pulled to ASA 100 with decent results.
    See my sample photos on Flickr
  3. ILFORD DELTA 3200
    I like this one for indoor shooting because of its fast speed (ASA 3200), though it does have some very pronounced grain. The contrast on this film tends to be higher than the PanF or HP5.
    See my sample photos on Flickr
  4. FUJIFILM NEOPAN 400
    I’m not a huge fan on non-Ilford films (in case you haven’t noticed), but nothing beats the serious high contrast on the Neopan (ASA 400).
    See my sample photos on Flickr
  5. ILFORD XP2 SUPER
    This film is a bit different than the others since its not really a black and white film. The XP2 (ASA 400) is actually a C-41 film, so it needs to be processed as if it were color film. This is handy for folks who want to shoot black and white but don’t have access to anything but standard color developing.
    See my sample photos on Flickr

COLOR FILM

Over the CanLow Tide SunsetWinter DocksTake a KneeSan Clemente PierLa Jolla Pier

Though black and white is my favorite, color is quickly growing on me. Color film usually renders a scene in a very different fashion than a typical digital image. Like black and white films, the various color films have differing levels of saturation, contrast, and grain. Here are 3 of my favorites.

  1. KODAK PORTRA 400VC
    The Portra VC (Vivid Color) films are very strong in color saturation and well suited for toy cameras and such — though I assume they’ll work just as well in a “real” camera. I have yet to try the Portra 160VC, but I’ve got some waiting to be loaded up in my TLR.
    See my sample photos on Flickr
  2. FUJIFILM REALA 100
    This one is fairly slow (ASA 100) as far as color negative films go, and the results are nice and sharp with little sign of grain. Color accuracy seems to be very good, and the saturation and contrast look great without being overdone.
    See my sample photos on Flickr
  3. KODAK EKTAR 100
    This may become my favorite color film due to the extremely fine grain and color accuracy. Also a low-speed color film (ASA 100), this stuff loves the sunshine. You can also read my informal review of the 120-Format Ektar 100.
    See my sample photos on Flickr

SLIDE FILM (XPRO’D)

Flying and FloatingJessWarp SpeedI'm So Hot I'm RedDarkness Creeps InI'm a Survivor

I don’t usually shoot slide film because it’s expensive to buy and develop, and it tends to be very finicky about exposure. But the stuff is great for cross processing! Here are 3 of my favorites.

  1. KODAK EKTACHROME OR ELITECHROME
    This film gives that classic green-shift when cross processed, but a lot of it can be white-balanced out to give the photos a more neutral tone.
    See my sample photos on Flickr
  2. FUJIFILM VELVIA 100
    The Velvia 100 gives very different results from most other xpro’d slide film. It has a very strong red-cast with hints of purple or yellow depending on the lighting.
    See my sample photos on Flickr
  3. FUJIFILM VELVIA 50
    The Velvia 50 is quite similar to the Ektachrome, but with a more subtle green and more prominent blue-cast. I haven’t shot too much of this, but I really should do more.
    See my sample photos on Flickr

WHAT’S YOUR FAVORITE?

Drop us a comment and tell us what your favorite films are, and let us know why! Feel free to leave photos in the comments to back up your comments.

Darkness Creeps In

Darkness Creeps In

Brian Auer | 06/29/2008 | Huntington Beach, CA | 135mm * f/2.8 * 1/?s * ISO50
[Purchase Prints] [See it at Flickr]

This photo was taken while I was hanging out with a few friends one afternoon at Huntington Beach. It was kind of a last minute “whatcha doin this weekend” sort of thing. Bryan Villarin (F/B/T), Arnold (F/T), Jason Stone (F/B/T), John Watson (F/B/T), my son Rex (F), and I (F/B/T) were all there to grab some shots of the beach and pier while we waited for the sunset to see if anything exciting would happen (you can see them all in this Polaroid I took).

The Guys at Huntington Beach

Just as we were finishing up dinner, the sunset was approaching so we zoomed back over to the beach to grab some shots. I only had film cameras with me that day (4 of them), and I had been shooting black and white with my SLR and TLR. I still had about 10 shots on the roll in the SLR, so I finished that one off and quickly loaded a roll of Velvia 50 with the intent of cross processing. I got about half way through the roll before the sun was gone. If I had decided to swap out the roll in my TLR, I probably would have missed it altogether.

I took the Velvia with me solely for the purpose of shooting the sunset and cross processing it. I assumed that the Velvia 50 would turn out the same as the Velvia 100 when cross processed, so I was expecting to get some serious red/magenta shifts on the already red/orange sunset. Instead, I got a blue/green shift similar to what I’ve seen with Ektachrome. I’m not at all disappointed with the results… it’s just not what I had expected.

And on top of all that, I got this really neat photo that ended up with a heavy vignette/underexposure on the right side of the frame. Very cool results all around. This is one of the reasons I’m attracted to film — sometimes the results are completely unpredictable, but better than you had expected.

POST-PROCESSING

  1. Take exposed film out of camera
  2. Give film to camera store and say “Cross process, please. No prints and no cuts.”
  3. Go outside and take photos for 15 minutes
  4. Go back to the store and pick up film
  5. Take film home and scan
  6. Post photo on the Internet

Yup, seriously… no digital post processing other than maybe some dust removal. Sometimes I also adjust the white balance on my cross processed stuff to remove most of the color cast, but I left this one alone.

What’s Your Favorite Film?

Chroma/luma
Creative Commons License photo credit: piXotroPic

I finally started shooting film — and it’s great! Seeing as how I’ve only shot digital in the past and I’ve been completely ignorant of film photography, I’m now finding myself uneducated about many aspects of film technologies.

One of my biggest unknowns has to do with the actual film — I have no idea which ones I should use or try. I walk into the photography shop and I felt like a kid at a candy store, except I’ve never had candy before. What did I do? I picked up about 10 rolls of different stuff… Ilford Delta, Ilford Pan F Plus, Ilford XP2, Kodak Ektachrome, Fujifilm Velvia, Fujifilm Superia, and a few others.

So in the poll this week, I’d like all you film people to sound off and tell us about your favorite film. I’m sure there are plenty of films I’ve never heard of or seen, and I’d like to have some indication of what is worth trying out. I’ve seeded the poll with a few films, so if you don’t see yours in the list you can add it yourself. I expect the list could get pretty long, so check if yours is in there before you add another.

{democracy:42}