Tag Archives: green

Field of Yellow

Field of Yellow

Brian Auer | 04/13/2008 | La Jolla, CA | 15mm * f/8.0 * 1/160s * ISO100
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This one was taken along the shores of La Jolla, California. I was out with my wife this weekend and we decided to take a short trip down the Pacific Coast Highway from Carlsbad to La Jolla. The shores of La Jolla are some of the most scenic in the area — lots of small cliffs and sandstone formations, caves, vegetation, tide pools, etc. I shot this scene with my Sigma 10-20mm lens at the widest focal length of 10mm. I’ve been ignoring that lens for a while, so I put it on the camera and left it there all day… well, I had my film camera with me too so I wasn’t completely limited on focal length.

Field of Yellow Post-Processing

  1. Unprocessed RAW
    Here’s what the unprocessed RAW image looked like — pretty dull and a little washed out.
  2. Processed RAW
    I cooled the white balance slightly, increased the contrast, increased the vibrance and saturation, and added a few other minor tweaks to the exposure settings.
  3. LAB Saturation
    I used my LAB Saturation Photoshop Action to bring the colors out a little better. This helped to remove some of the muddy haze in the sky.
  4. Dodge
    Selective dodging around the green of the waves and on the left side of the flowers at the bottom of the frame.
  5. Burn
    Selective burning in the sky and on the right side of the flowers to add more balance.

Enjoy!

Radially

Radially

Brian Auer | 03/08/2008 | Venice Beach, CA | 75mm * f/4.0 * 1/60s * ISO100
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This was shot using all natural light (it was in the shade on a very sunny day) and the camera was handheld with a 50mm lens. This plant caught my attention as I walked the canals of Venice, California — it was along the sidewalk behind the houses. The pattern was so very strong, and the colors so deep that I couldn’t pass it up. The water droplets on the plant were just icing on the cake.

Radially Post-Processing

  1. Unprocessed RAW
    Straight out of the camera — untouched.
  2. Processed RAW
    I did a few basic adjustments to get the white balance correct and to bring up the contrast and saturation. Nothing very extreme though.
  3. Dodge & Burn
    Here, I used non-destructive dodging and burning techniques to really make the contrast stand out where I wanted it.
  4. LAB Saturation
    Using the technique I outlined previously for boosting saturation via LAB color mode, I strengthened the greens that are so inherently present.
  5. High Pass Sharpen
    I used a very subtle sharpening by running the high pass filter and setting the blend to overlay at 50% opacity.

As you can see, lots of little changes really add up from start to finish.

February Challenge Recap

February Challenge

The February “Colors” Challenge is officially done and over. This was a really neat project because it made me focus on a specific color as the main subject rather than just some object, person, or scene. Each color has its different quirks, both in capturing and post-processing, so it was good to explore those things and learn about them.

My biggest benefit from participating in the February Challenge is that it’s given me a new appreciation for black & white. After a week or two of shooting and processing nothing but color, I started getting really frustrated that I couldn’t turn some of the photos black & white. Luckily we had a photowalk in the middle of the month, so I really cranked out the black & white photos from that. I think I’d probably feel the same about color if I were forced to shoot nothing but black & white — I need both to be satisfied.

Here are my photos from the entire challenge:

CLEAR

Glass Flower

Liquid IceShot Glass Mirror

Clear was kind of fun and challenging. I guess most people wouldn’t consider it a color, but we tend to speak of it as if it were. In my first shot, I was going for the wild color display since clear takes on whatever color happens to be behind it. In the next two shots, I wanted to capture more of a traditional clear “color” by removing anything colorful from the surroundings. After finishing the whole project, I’ve got to say that clear was the most difficult color to capture — so I’m glad the first week was a short one!

YELLOW

Yellow Tail

Piña RefrescoTonkaMAG 30Peppers and PeanutsPedestrian CrossingChinese Art

Yellow was also a fussy color to deal with. There aren’t a lot of things out there that are yellow, and the things that are yellow tend to be somewhere between green and orange. I get the feeling that nobody can agree on what yellow looks like. The Legos I shot for the Tonka Truck picture were from several different sets. Not only was yellow the least available color of all the blocks, but each brand had a different yellow.

RED

Red Glass

Silver on Red22 LanesHappy Little Men

After picking two slightly difficult colors, I decided to go with something a little more friendly. Red was kind of fun to shoot, and it seemed to be more readily available than yellow. One lesson I did learn about red is that the tail lights in traffic are far less bright than the headlights. My long exposure traffic shot barely registers the red lights, and there was about the same amount of traffic on either side of the road. If somebody knows the secret to getting the tail lights to stand out more in these types of shots, I’m all ears.

GREEN

Cabbage

StickersGuacGlide

I was initially going to avoid green because it’s the most abundant color out there. I gave in though — I couldn’t keep passing up all that green just for the sake of being stubborn. One good place I found to shoot green: the produce section at the grocery store. I think the employees at the local grocery store are over me by now. I’ve been in there about a dozen times with my camera.

BLUE

Powering Down

I would have like to shoot more blue photos, but I just started winding down at the end of the green week. My goal was to shoot a photo every day, but I ended up missing one day during green. Then blue came along and I just kind of stopped picking up the camera. Oh well, too late now.

The Place To Be

The Place To Be

Brian Auer | 02/09/2008 | La Jolla, CA | 19mm * f/4.5 * 1/400s * ISO100
[Print Pricing] [Contact for Signed Prints] [See it at Flickr]

This shot was taken during the La Jolla photowalk in early February. At the time, I found the scene to be very interesting — the hut, the birds, the people, and the ocean in the background really seemed to work together in this candid shot. I kept things fairly well centered because of the strong symmetry already present in the hut. The Birds and the people served to break up that symmetry in isolated areas, so I didn’t feel I needed to break it up even more. Lucky for me, I also left some extra room at the top of the frame, which served as a nice backdrop for some heavy vignette.

The Place To Be Post-Processing

All of the following post-processing steps were done with Adobe Camera Raw — no Photoshop was used on this photo.

  1. Untouched RAW Image
    This is what the image looked like straight out of the camera. It could probably work as a color image too, but I wanted to go colorless.
  2. Black & White Conversion
    Before doing anything, I switched to grayscale. I pushed the red, orange, yellow, green, and aqua to negative compensation while the blues, purples and magentas were pushed in the positive direction.
  3. Basic Adjustments
    I left the white balance set at a temperature of 5800 and a tint of +3. I left the exposure, recovery, and clarity set to zero, while I boosted the fill light to 46, bumped the blacks up to 36, dropped the brightness to 16, and pushed up the contrast to 52.
  4. Tone Curve Adjustment
    Using the parametric tone curve, I set the highlights to +41, lights to +39, darks to -44, and shadows to -76. This gave me the strong contrast I was after, and I actually pushed a bunch of the highlights and shadows off the histogram.
  5. Vignette and Sharpen
    In the lens correction menu, I set the vignette to an amount of -76 with a midpoint of 19 — and this gave me the strong frame around the hut while filling in some of that sky. As a last step, I set the sharpening under the detail menu to an amount of 50 with a radius of 1.5 pixels.

Enjoy!

February Challenge: Day 10 – Chinese Art

Chinese Art

WEEK 2 = YELLOW

And that concludes week 2 of the February Challenge for me. Still have no idea what color I’m doing for week 3, and I only have about an hour or two left before the clock strikes midnight.

To see the rest of my February Challenge photos, check the “Challenge” category here on the blog or visit my Flickr Set.

February Challenge: Day 9 – Pedestrian Crossing

Pedestrian Crossing

WEEK 2 = YELLOW

This photo (and those shown below) came from our recent La Jolla photowalk. I totally overworked the colors on this image and it was completely on purpose, but I like the way it ended up. I’ll be uploading quite a few photos to Flickr over the course of this week, so keep your eyes on my stuff over there if you’re interested in seeing how the day turned out. You can also follow the photos from everybody else, as long as they’re tagged with “photowalking020908“. Honestly, with all this color stuff for the February Challenge, you can expect to see a lot of my photowalk images turning out black & white.

To see the rest of my February Challenge photos, check the “Challenge” category here on the blog or visit my Flickr Set.

February Challenge: Day 8 – Peppers and Peanuts

Peppers and Peanuts

WEEK 2 = YELLOW

Some colorful handmade decorations at my Grandfather’s house. Not sure what it’s supposed to signify, but I’m pretty sure it has to do with Chinese culture.

To see the rest of my February Challenge photos, check the “Challenge” category here on the blog or visit my Flickr Set.

February Challenge: Day 4 – Piña Refresco

Piña Refresco

WEEK 2 = YELLOW

Partially empty glass bottle of Jarritos pineapple soda sitting on a white tile counter. The image was "cross processed" to exaggerate the yellows and greens on the bottle. The partial vignette came from the off camera slave flash — no fake vignette here!

To see the rest of my February Challenge photos, check the “Challenge” category here on the blog or visit my Flickr Set.

February Challenge: Day 1 – Glass Flower

Glass Flower

WEEK 1 = CLEAR

The February Challenge is all about color – you pick a color each week and document those colors. So my first color will be my favorite color… clear. It’s a great color because it takes on the color from the things around it. So it’s every color and no color all at the same time!

Now I realize that many of you may think that clear is not a color, but ask yourself this… what color are your windows? What color are your glass dishes? What color is water (assuming it’s clean)? How about diamonds? My wife hates the fact that I insist clear be my favorite color, so this week is dedicated to her.

This particular image is an abstract of a CLEAR glass candy dish lid positioned on top of a purple DVD-R with an orange background (a shirt). The DVD served to reflect some nice rainbow colors that you can see in the refraction of the CLEAR glass.

So is anybody else joining in with the February Challenge?

To see the rest of my February Challenge photos, check the “Challenge” category here on the blog or visit my Flickr Set.