Tag Archives: kodak

Link Roundup 07-17-2010

Before we get to the links, I apologize to anybody that visited the site recently and found it to be infected with a malicious redirect exploit. I became aware of the issue this morning (thanks to an email from a reader) and I had it fixed within an hour. These things happen from time to time, and I appreciate folks letting me know when something is wrong with the site. Now for some weekend reading!

Link Roundup 07-02-2010

Link Roundup 05-28-2010

My Favorite Film After a Year of Shooting

I started shooting film right around April of 2008, and here we are a year later! At first, I basically bought one of everything and just tried all the different films available to me. Over time, I started leaning toward certain brands and even specific films. Now, I’m fairly picky about what I shoot — though I’m always open to trying out new films (or at least new to me).

Also in the last year, more and more people are getting into film and asking me which film to use. Of course, that kind of thing is dependent on what you’re shooting, which camera you’re using, what the light is like, what kind of mood you’re going for, and personal preference. But if you’re completely new to film photography, it’s nice to have some advice to start with. So here are 11 of my favorite films after a year of shooting.

BLACK AND WHITE FILM

A Dreary WorldIt's Lonely Out HereSpin Me!CruisersMetal and GlassTicket Booth

Black and white is definitely my favorite when it comes to film. Each film captures the scene a bit differently at varying levels of contrast, dynamic range, and tone representation. Here are five of my favorites.

  1. ILFORD PANF PLUS
    This one is my favorite film of all. It’s a medium contrast low speed (ASA 50) film that goes nicely with old cameras. I love using this film in my TLR on a sunny day because it allows me to open up the lens for a shallow DOF.
    See my sample photos on Flickr
  2. ILFORD HP5 PLUS
    This is my go-to film for any time the sun isn’t shining. Also a fairly medium contrast film, but with a faster speed (ASA 400). Awesome dynamic range with great looking grain. A very versatile film, capable of being pushed to ASA 3200 and pulled to ASA 100 with decent results.
    See my sample photos on Flickr
  3. ILFORD DELTA 3200
    I like this one for indoor shooting because of its fast speed (ASA 3200), though it does have some very pronounced grain. The contrast on this film tends to be higher than the PanF or HP5.
    See my sample photos on Flickr
  4. FUJIFILM NEOPAN 400
    I’m not a huge fan on non-Ilford films (in case you haven’t noticed), but nothing beats the serious high contrast on the Neopan (ASA 400).
    See my sample photos on Flickr
  5. ILFORD XP2 SUPER
    This film is a bit different than the others since its not really a black and white film. The XP2 (ASA 400) is actually a C-41 film, so it needs to be processed as if it were color film. This is handy for folks who want to shoot black and white but don’t have access to anything but standard color developing.
    See my sample photos on Flickr

COLOR FILM

Over the CanLow Tide SunsetWinter DocksTake a KneeSan Clemente PierLa Jolla Pier

Though black and white is my favorite, color is quickly growing on me. Color film usually renders a scene in a very different fashion than a typical digital image. Like black and white films, the various color films have differing levels of saturation, contrast, and grain. Here are 3 of my favorites.

  1. KODAK PORTRA 400VC
    The Portra VC (Vivid Color) films are very strong in color saturation and well suited for toy cameras and such — though I assume they’ll work just as well in a “real” camera. I have yet to try the Portra 160VC, but I’ve got some waiting to be loaded up in my TLR.
    See my sample photos on Flickr
  2. FUJIFILM REALA 100
    This one is fairly slow (ASA 100) as far as color negative films go, and the results are nice and sharp with little sign of grain. Color accuracy seems to be very good, and the saturation and contrast look great without being overdone.
    See my sample photos on Flickr
  3. KODAK EKTAR 100
    This may become my favorite color film due to the extremely fine grain and color accuracy. Also a low-speed color film (ASA 100), this stuff loves the sunshine. You can also read my informal review of the 120-Format Ektar 100.
    See my sample photos on Flickr

SLIDE FILM (XPRO’D)

Flying and FloatingJessWarp SpeedI'm So Hot I'm RedDarkness Creeps InI'm a Survivor

I don’t usually shoot slide film because it’s expensive to buy and develop, and it tends to be very finicky about exposure. But the stuff is great for cross processing! Here are 3 of my favorites.

  1. KODAK EKTACHROME OR ELITECHROME
    This film gives that classic green-shift when cross processed, but a lot of it can be white-balanced out to give the photos a more neutral tone.
    See my sample photos on Flickr
  2. FUJIFILM VELVIA 100
    The Velvia 100 gives very different results from most other xpro’d slide film. It has a very strong red-cast with hints of purple or yellow depending on the lighting.
    See my sample photos on Flickr
  3. FUJIFILM VELVIA 50
    The Velvia 50 is quite similar to the Ektachrome, but with a more subtle green and more prominent blue-cast. I haven’t shot too much of this, but I really should do more.
    See my sample photos on Flickr

WHAT’S YOUR FAVORITE?

Drop us a comment and tell us what your favorite films are, and let us know why! Feel free to leave photos in the comments to back up your comments.

Film Review: 120-Format Kodak Ektar 100

Kodak Professional Ektar 100

I managed to get my hands on some 120-format Kodak Ektar 100 before it was available to the general public, and I was given the opportunity to conduct an informal review of the film. Based on the hype surrounding this film, I was quite happy to test it out. After shooting 5 rolls through a few different cameras, I was not at all disappointed with the results as I scanned them in.

I found the colors to be extremely natural and pleasing under daylight conditions. And the sharpness and grain are absolutely to die for. In general, the film has the best characteristics from both slide film and color negative film. Read on for my informal review.

ABOUT THE FILM

The Umbrella Perched on a Sink

Kodak Professional Ektar 100 is a color-negative film (using the C-41 process) available in 35mm and 120-formats. It is claimed to have extremely fine grain (the world’s finest for color-neg) and high color saturation, making it ideal for nature, landscape, and travel photographers.

In September, 2008 the Ektar 100 became available in 35mm format. Due to popular demand, Kodak has made the film available in 120-format in April, 2009 (I believe it’s available for purchase through a few vendors right now).

MY NON-TECHNICAL REVIEW

La Jolla Coastline San Clemente Pier

Equipped with a pro-pack of the Ektar 100, I loaded up my two medium format cameras and headed out on a few photowalks along the coast. One camera was my old 1956 Minolta Autocord MXS (twin lens reflex) and the other was my Diana+ (toy camera). I must admit, putting this film into a plastic toy camera felt a bit like ripping the engine from an F-1 car and strapping it to a tricycle.

The first day I shot this film, the weather turned heavy overcast quite rapidly, but I managed to finish off three rolls. I went out a few days later and shot the last two rolls in full sunshine. The film can certainly be used in either condition, but its white balance is intended for daylight use. The overcast photos just scanned in a bit cold — and I could have adjusted it, but it seemed fitting to leave them as is.

The Family in La Jolla Splish-Splash

Up to this point, I’ve been shooting mostly Kodak Portra VC color-neg films on medium format (and a little bit of Velvia slide). The Ektar 100 seems quite comparable to the color saturation of these films, but the colors on the Ektar 100 seem more “realistic” to me. The color saturation and contrast isn’t so overbearing that it looks unnatural, and the colors seems to closely represent the actual colors of the scene. One thing I did notice, though, is that the greens tend to be more saturated than the other colors — sometimes a bit too much.

The shots (especially those from the TLR) appear to be very sharp and free from grain. I might even go so far as to say that the Ektar 100 is comparable to Ilford’s PanF Plus black and white film (which is the primary film I use with my Autocord). Though I’ve only scanned the film (which tends to present softer grain versus an optical enlarger), I was hard-pressed to find any signs of grain even at 100% zoom on a 3200 ppi scan.

GRAIN? WHAT GRAIN?

If you don’t believe me, see for yourself. Here’s an image with a decent exposure — the little box is the spot I’ve taken the 100% crop for the image immediately below it. The full image is approximately 50MP, or 7000 x 7000 pixels.

Kayakers

Kayakers at 100% Crop

The softness of the 100% crop probably comes from scanning the film since I don’t use any sharpening while scanning. Even so, I can usually make out the grain easily on most films — it’s just not as sharp as with an optical enlargement. The Ektar 100 scans don’t show much sign of grain.

MY FINAL THOUGHTS

I Stand Alone La Jolla Pier

I like it — a lot. When I decide to shoot color on my TLR, I’ll probably use the Ektar 100 exclusively. The colors look great and the shots appear to be very sharp and fine-grained. I’m still undecided with the Diana+… I might try a few more rolls and see how it goes, but I’m still leaning toward the Portra VC films just because I have a history of good results with it.

The Ektar 100 film seems to have similar features of slide film (high saturation and fine grain), but with a more forgiving dynamic range of a color negative.

But the thing that gets me most about this film is how natural the colors appear. Color film often has a “film-like” appearance to it because of shifted colors or grain. The Ektar 100 (to me) looks more like a well-processed digital than it does a typical film.

Would I recommend this film for color enthusiasts? Certainly! It seems well-suited for landscape and nature photography, but even skin tones in portraits aren’t completely unnatural.

SWEEPSTAKES OFFER

As a promo for the new Ektar 100 films, Kodak is running a bit of a sweepstakes giveaway along with a rebate offer on the film. You can get a $5 mail-in rebate for certain film purchases, and that rebate automatically enters you into a drawing for a prize package. The prize is a nature photography experience at Disney’s Animal Kingdon Park, including a 4-night stay and a full itinerary of activities. You can also enter the prize drawing without buying the film or mailing in the rebate. Visit the official sweepstakes web page for more information.

What’s Your Favorite Film?

Chroma/luma
Creative Commons License photo credit: piXotroPic

I finally started shooting film — and it’s great! Seeing as how I’ve only shot digital in the past and I’ve been completely ignorant of film photography, I’m now finding myself uneducated about many aspects of film technologies.

One of my biggest unknowns has to do with the actual film — I have no idea which ones I should use or try. I walk into the photography shop and I felt like a kid at a candy store, except I’ve never had candy before. What did I do? I picked up about 10 rolls of different stuff… Ilford Delta, Ilford Pan F Plus, Ilford XP2, Kodak Ektachrome, Fujifilm Velvia, Fujifilm Superia, and a few others.

So in the poll this week, I’d like all you film people to sound off and tell us about your favorite film. I’m sure there are plenty of films I’ve never heard of or seen, and I’d like to have some indication of what is worth trying out. I’ve seeded the poll with a few films, so if you don’t see yours in the list you can add it yourself. I expect the list could get pretty long, so check if yours is in there before you add another.

{democracy:42}