Tag Archives: lomography

80 Film Cameras for Under 50 Dollars!

I want these awesome camera reviews to be the main focus of this article, so all the text will be below the mosaic. As a result of a group project, here are 80 film cameras for under $50!

And if you’re into film, be sure to check out my film photography blog.

Project Winner #1 - (49) Marine XI, by Erick CusiProject Winner #2 - (14) Handy Box, by Jan MorenProject Winner #3 - (15) Yashica Samurai X3.0, by Tomas Webb (aka The_Wolf_Brigade)

(1) Minolta Hi-Matica AF2, by narruemon(2) Diana+, by Stephan Kaps(3) Vivitar Ultra Wide & Slim, by Rafi Abdullah(4) Elikon 535, by Johann Affendy Mahfoor(5) Polaroid Pronto 600, by nan(6) Beier Beroquick KB 135, by Stéphane Heinz(7) Fed 3, by Brenden Delzer(8) Smena 35mm, by Matt Steinbrecher(9) Polaroid Fun Shooter, by Chica(10) Vivitar Ultra Wide & Slim, by Toycamper(11) Akira PC-606, by Toycamper(12) Olympus OM-2, by Sam Galope(13) Olympus Trip 35, by Matt Charnock(15) Yashica Samurai X3.0, by Tomas Webb (aka The Wolf Brigade)(16) Lomography Diana+, by Brian Auer(17) Fujica Mini, by Bernd Saller(18) Argus C-3, by Brandon Babbitt(19) Minolta AutoPak 470, by Rex Auer(20) Ricoh 35 ZF, by Mikhail Fludkov(21) Kodak Vigilant 616, by Gary(22) Fujifilm Nexia Q1, by Toycamper(23) Meikai Point & Shoot, by Toycamper(24) Minolta X-370, by Bob Simmons(25) Kodak Retinette 1A, by kristarella(26) 25mm Panorama Camera, by Michele Ferrario(27) Olympus Pen EES-2, by Javier Odriozola(28) GP Hero, by Dane Doerflinger(29) Lomography Diana+, by Gavin McDougall(30) Zorki 4K, by Hitesh Sawlani(31) Zorki 10, by Toycamper(32) Villa Avto, by bLind-Shutterz(33) Kodak Instamatic 33, by monika mitterdorfer(34) Praktica B200, by Marco van Egdom(35) Reporter, by Stefan Bucher(36) Vivitar Ultra Wide & Slim, by Rodrigo Monteiro Gonçalves(37) PhotoFlex MX-35, by Toycamper(38) Split-Cam, by Toycamper(39) Mamiya C330, by Jeremy Johnsen(40) Zenit TTL, by Dima(41) Pentax K-1000, by Nick Jungels(42) Chajka II, by Rodrigo Monteiro Gonçalves(43) Agfa Isolette I, by Mustanir Ali(44) Pentax K-1000, by Derek Dysart(45) Minolta SRT-Super, by Bryan Villarin(46) Lomo Action Sampler, by Udi Tirosh(47) Sears KS Super II, by Scott Coulter(48) Vivitar IC100, by Erick Cusi(50) Vivitar Avon, by Erick Cusi(51) Praktica Super TL, by Victor Ionescu(52) Baby Company Yellow Green Camera, by Erick Cusi(53) Sunny Fruit Juice 35mm, by Rodrigo Monteiro Gonçalves(54) Gevaert Rex Lujo, by Maria Eugenia Quiroga(55) Vivitar Ultra Wide & Slim, by Claire Lu(56) Golden Half, by Kristoffer Marklund(57) FED 4, by Daria Sukhanovska(58) Agfa Billy I, by Antonio Marques(59) Konica C35, by Jim Davies(60) Canon Rebel 2000, by Monte Landis(61) Lomography Fisheye Camera, by John Hawkins(62) Time Camera, by Erick Cusi(63) Yashica J-7, by Mattias Wirf(64) Pinhole Camera, by Violeta Riera(65) Voigtländer Vitoret, by Jes Consuegra(66) Pentax Espio, by Ani Castillo(67) Nimslo 3D, by Hugo Pereira(68) FED 5C, by Suzanne Offner(69) Pentax IQ Zoom 835, by Monte Landis(70) Yashica-A, by Jason Hall(71) Vivitar Ultra Wide & Slim, by Elaine Mesker(72) Yashica-Mat LM, by Sarah Gerace(73) Nikon One Touch L35AF-2, by Raquel Stanton(74) Tura Underwater Camera, by Stephanie Briggs(75) Lomography Holga, by Nathaniel Perales(76) Nikon F3, by Luke Rossin(77) Minolta X-370, by J.P. Stephens(78) Minolta XG-M, by Rey Berrones(79) Lomography Holga 135, by Matt Maldre(80) Olympus OM-1, by Amber Lupin

When I announced this project, I wasn’t sure what to expect for the level of participation. I asked for people to buy a sub-$50 film camera (or use one they already had), write a review of the camera, and publish an entire roll of photos from the camera. I was kind of hoping for 30 or 40 entries.

But the community exceeded my expectations and surprised the heck out of me! We had all kinds of crazy stuff showing up: rangefinders, SLRs, TLRs, toy cameras, underwater cameras, point & shoots, box cameras, folding cameras, Polaroids, and even a 3D camera. 80 of them in just one month! I applaud your efforts — you guys are awesome! With all this enthusiasm for film photography, I feel like we’re on the brink of a film-revolution. It was great to see so many people picking up a film camera for the first time in years (or for the first time ever!), and having such a good time with it.

So if you’re ever looking for a cheap film camera — just go through the list above and I’m sure you’ll find something that sparks your interest. The photographers who participated in this project have essentially created a huge resource for other photographers that may be interested in film photography.

OUR SPONSORS ROCK!

How cool is it that ILFORD Photo and Lomography have sponsored this project to give away a Diana+ and 10 rolls of film to 3 winners!? These two companies are at the heart of present day film photography and it’s pretty awesome that they’ve taken an interest in our project.

ILFORD Photo

I’d like to offer my thanks and gratitude to both companies for joining us, and I encourage all of you to check out what they have to offer.

A BIG THANKS TO OUR JUDGES

I asked each of our two external judges to choose their favorite project entry — which is a daunting task with 80 participants! I’d like to extend a huge “thank you” to Jim Talkington and Udi Tirosh for taking on this role. Two of the three winners are shown at the very top of the list, and will each receive a complimentary Diana+ from Lomography and 10 Rolls of film from ILFORD Photo. And don’t forget to cast your votes for the third winner!

A few words from Udi of DIYPhotography.net

Participation was amazing. Now, this is not your ordinary “shoot a pic and submit” kinda contest, it requires effort, discipline, and commitment. After all it is film and it takes at least one day to chimp. Not to mention getting a camera for less than 50 greens.

It is not easy going through 80 entries so here is the process I used: I divided the submissions into 8 groups of 10, and browsed through each group, limiting myself for one or two selection per group based on general impression, first paragraph, and camera reviewed. I ended up with 12 reviews. I skimmed through the 12 and narrowed it down to three. that was not easy as there were more than three that actually were really good.

It was a though competition between Nick Jungels’ Pentax K1000 review, Erick’s Marine XI, and Mr. Wolf’s Yashica SamuraiX3.0.

The Pentax K1000 review was written right from the heart. It is packed with the technicalities that would interest me when considering a film camera like the viewfinder, the aperture ring, and “feel” of the camera. However, Nick is not just talking about the K1000, he is talking to the K1000, and for this he gets my full appreciation.

The Wolf’s interview with Dr. Lomo was fun to read and was both amusing and informative. and earned points for “sucking up to the prize givers” (yes wolf it was worth it).

The last review that made the final trio was the Marine XI. I could not resist a review that brings GAS in the first paragraph. This certainly got my attention. This along with the creative use of flash got Erick the winning vote. This and the Cohaagen-Give-those-people-air expression on the set taken with the camera.

And a few words from Jim of Pro Photo Life

It’s been a great deal of fun getting to judge these entries. From the moment Brian first announced the contest I’ve been looking forward to seeing what readers would come up with and the results have exceeded expectations. This contest rocks, on many levels.

There was a great deal of diversity and many interesting cameras: toy cameras, half-frames, Soviet SLRs…you name it. And being totally honest, I always like a good bargain. Part of the intrigue would be seeing just how much camera could be purchased for $50. Just what bargains are out there?

So it was with a bit of a personal surprise that I found my winner to be Janne in Osaka with the simple “Handy Box” box camera. Rather than seeing how much camera could be purchased for $50, Janne showed how little camera is actually needed to enjoy photography and create beautiful photographs. The text was informative, explaining the camera, company background and tips for shooting with the simple little box. And the photos sealed the deal for me. Shot in a variety of situations and obviously more than just a test roll, they were a pleasure to view.

But the tech junkie in me still wants to buy a Zorki, Fed or Olympus Pen. As a runner-up I have to go in the other direction and point out the very unique Yashica Samurai half-frame camera (and equally unique review) from The Wolf Brigade. The little Yashica is about as high tech and over-engineered a $50 camera as you’ll find, a complete contrast to the little Handy Box. Long live the endless variety and possibilities of the $50 film camera!

Again guys, thanks so much for judging this contest!

DON’T FORGET TO VOTE!

[UPDATE] The official voting is over and all three winners have been awarded their prize — but you can still leave a comment about your favorite entry!

Like I said, we’re giving away 3 prize packages. The first two winners have been chosen by our judges, and the third will be chosen by the masses. Leave a comment with your vote for best project entry. Look for those who put in the extra effort and/or got creative. You can vote by listing the entry number or the name of the reviewer — if you hover your mouse over the thumbnails, you’ll see this information show up. More than one vote is OK if you can’t decide between a few really good ones. One week of voting, then I’ll tally-up the points and announce the third winner.

Diana+ Camera Review

There’s something to be said for the latest camera bodies and professional grade lenses — it certainly seems to be the focus of many photographers. But there’s also something to be said for a cheap plastic camera body and an equally cheap plastic lens. Meet the Diana+ from Lomography.

This review is my own entry to my $50 Film Camera Project. With a price tag of $50, the Diana+ fits right in to the project requirements. This also happens to be the camera that Lomography is giving away to three lucky winners (along with 10 rolls of film from Ilford Photo). I purchased this camera (and yes, I bought it), not because it’s a prize for the project, but because I’ve been wanting one for a while now. So let’s get into this review…

THE TECHNICAL STUFF

The Diana+ camera is almost completely made of plastic, lens and all. It is a medium format camera that takes standard 120 rolls of film. It can produce 5.2cm x 5.2cm shots at 12 per roll, 4.2cm x 4.2cm shots at 16 per roll, or panoramic images. These different formats are achieved by using a specific mask in the camera body.

The shutter speed on the Diana+ has two settings: “Normal” and “Bulb”. The normal setting gives you about 1/60 seconds of exposure, while the bulb exposes for as long as you hold the shutter. The shutter release is located on the lens barrel along with the shutter mode adjustment. Bulb is intended to be used for pinhole photos or dimly lit situations (or whatever other reason you may want to use it for).

The aperture has four settings: “Sunny”, “Overcast”, “Cloudy”, and “Pinhole”. This setting can be adjusted on the bottom of the lens barrel. The indicated apertures are intended to be used with ISO400 film. Using a slower or faster film means that you’ll have to compensate for the difference in exposure. The pinhole setting will require the use of the bulb shutter setting.

The focus is controlled by twisting the actual lens. It’s kind of a guess, and the lens has three indicators: 1-2M, 2-4M, and 4M+. Since the camera is a viewfinder, you don’t actually “see” the focus — just the framing. And speaking of framing, just watch out for that parallax error!

Other than that, there are a few other technical aspects to operating the camera: lens removal for pinhole photos, double exposures, panoramic exposures, setting bulb exposures for pinhole shots, etc. But in general, the camera is very easy to use because of the minimalistic approach to the camera controls. Watch out though — just because it’s considered a “toy camera”, this doesn’t mean that you don’t have to think about what you’re doing from time to time. You still have to set the exposure, compensate for lighting conditions and film speeds, watch out for parallax error, remember to wind the film, set your focus, and so on.

And the best part of this camera… no batteries! I’ve really come to embrace a camera that can operate without electricity. It’s so liberating!

THE INTERESTING STUFF

The most interesting aspect of the Diana+, to me, is the fact that it’s so basic. Once you open it up to load the film, you basically see a big empty space. You think to yourself “where’s all the… stuff?” I mean, there’s really nothing to it. You’ve got a piece of plastic as a lens, then a plate with a few holes in it for the aperture, then a simple little mechanism for the shutter. Other than that, you’ve got a couple of spots to hold the film spools, and a little window to look through.

This is all very interesting because the camera also uses medium format film, which is typically used in higher-end cameras. But this coupling of simple technology with medium format film goes back to the days of the original Diana camera. Back then, 120 film was more of a standard than it is today because 35mm film hadn’t become popular until the late 1960′s. Prior to that, most cameras used 120 film or other formats that have basically been phased out.

THE QUIRKY STUFF

For as basic as this camera is, you have to expect things to be a little different than your shiny new digital camera. Most of the stuff is easy to get adjusted to, but there are a few things that come off as a little quirky. Nothing that would prevent me from using the camera though.

My biggest issue with the Diana+ is the film loading procedure. 120 film is sort of painful to load, but this camera doesn’t make it any easier. The spool holders are pretty flimsy and don’t really hold the spools in place before the back is placed on the camera. The spools have a tendency to pop out of place and thwart your efforts to get the film started. I’m sure this will get easier with experience, but it’s pretty frustrating when you spend 5 to 10 minutes loading a roll of film.

The other thing that got me was the viewfinder. Yes, I totally forgot about the parallax error. But I was also under the assumption that the viewfinder showed less of the scene than would be captured on the film. The opposite was true with my particular camera, and this caused me to crop out a few things on a couple of photos.

THE INSPIRATIONAL STUFF

This camera is such a kick in the creativity, I can’t even fully describe it with words. When the Diana+ is in your hands, you see things differently. You act differently. You take photos differently.

There’s a certain amount of “letting loose” that occurs with this camera. Some of it probably results from the photos that most of us have seen from these cameras (or similar cameras such as the Holga). If you let it, the camera will allow you to take the mindset of “don’t think, just shoot” — which is one of the mantras of Lomography (and I suggest you take a look at the 10 golden rules of Lomography to get a better feel for this stuff). This is also probably a result of knowing that you don’t exactly have a Hasselblad in your hands — if your framing or focus is slightly wrong, who cares?!

I found myself “shooting from the hip”, trying double exposures, taking long exposures without a tripod, and not giving a crap about straight horizons. The photos won’t come out completely perfect, so why shoot for perfection? You end up with heavy vignette, occasional light leaks, lens flare, and motion blur — and all this stuff adds to the mood of the photos produced. Without these things, Lomography just wouldn’t be Lomography.

In conclusion, the Diana+ is a really awesome camera! It’s so different than your typical digital camera, and it can really open your eyes to a completely new world. For $50, you can’t beat it. I would definitely suggest this camera to any photographer wanting to get a little crazy with their stuff.

MY TEST PHOTOS

So here it is. I shot 3 rolls of film in my Diana+ one day after I got it in the mail. The project only calls for one roll of film to be posted, but I wanted to show how different the results could be with different types of film. I shot a roll of black and white (Ilford HP5 Plus, ISO400), a roll of color slide film cross processed (Kodak Ektachrome E100VS, ISO100), and a roll of color negative film (Expired Konica Centuria 100, ISO100 that The_Wolf_Brigade sent me). You can see the entire set on Flickr. Here are two of the best shots from each roll:

Ocean Breeze GeneratorMerry-Go-RoundFlying and FloatingPurple DressMy HeiferChit Chat

And here are the rest of the shots from each roll:

Back Seat DriverBoat ParkingFilm NoobSailboats SailingKickin BackFerry LandingJust Another Brick in the WallBeach GhostsTwo Middle Aged Bald Guys With No Shirts Riding Beach Cruisers Down The StreetMain Street DrugIt's All Just A Blur To MeNewport Beach PierBinocular ExcitementThis Way and ThatCabo CantinaBad AimWorkin On The BoatCommodoreMr. Two Camera GuyThe Brave Little PigeonUS Post OfficeFunny Little CarWindow SaleSt. John Vianney ChapelA Colorful SoulI've Lost My HeadFlagsSticker ScooterBikini SaleThrough These Eyes

If you’re still contemplating whether or not to participate in this project, think long and hard about what you might be passing up. Like I said, we’re giving away one of these cameras plus ten rolls of film to three winners. And be sure to look back at the project announcement — I’ve added links to five project entries as good examples of what I’m looking for.

And you know what? The hardest part of shooting film… is deciding to shoot film. Once you get over that little hump, a whole new world opens up for you.

PHOTO PROJECT: The $50 Film Camera

Alright! It’s time for another super-fantastic photography project here at Epic Edits! This project is truly shaping up to be of epic proportions. The theme will be film photography, and we have a couple of big-league sponsors and experienced judges rooting us on. This one will require a little more effort on your part, but I’m hoping that we can all get excited about this little adventure we’re about to take on.

[UPDATE] The results of this project have been posted — be sure to check out all 80 film camera reviews that we received.

Those who have been following the blog are aware of my recent love for film photography — so this project should be of no surprise! The project will be open through mid-September due to the requirements I’ve set forth. Be sure you read through this announcement and if you plan on participating, you’d better get moving!

THE SPONSORS

I’m so excited to announce that we have not one, but two really awesome sponsors supporting this project! Lomography and ILFORD Photo have decided to pitch in some goodies for a few lucky contest winners at the end of the project.

Lomography will be contributing 3 Diana+ cameras! Dating back to the early 1960ʼs, the all-plastic Diana camera is a cult legend – famous for its dreamy, radiant, and lo-fi images. The brand new Diana+ is a faithful reproduction and a loving homage to the classic Diana – with a few new features tossed in. This is an amazing addition to any film photographer’s collection. Lomography is a globally active organization dedicated to experimental and creative snapshot photography. Boasting more than 500,000 active members across the world, the idea of Lomography encompasses an interactive, democratic, social, cultural, vivid, blurred, and crazy way of life. Totally cool people in my book!

ILFORD Photo

ILFORD Photo (part of Harman Technology, ltd.) will be contributing 6 bricks of 120 format black & white film to go with those Diana+ cameras! That’s 30 rolls of pure gold my fellow photographers! We’ll be splitting up 10 rolls each of their HP5 Plus, XP2, and Delta 3200 between the three contest winners — which also happen to be 3 of my favorite black & white films (Coincidence? I think not!). For over 125 years ILFORD Photo has set the standard for the highest quality photographic products and achieved legendary status throughout the worldwide photographic community. Today, ILFORD Photo offers a wide range of exceptionally high quality black and white photographic materials all featuring very high image quality, ease of use and consistently reliable results.

In total, we’ve got over $300 worth of prizes to split up between 3 contest winners! So if I’ve piqued your interest with these snazzy prizes, read on and find out how you can get some for yourself!

THE CONCEPT

This project has many different intents, and all of them revolve around learning and exploring new mediums. First and foremost, this project should be fun and exciting for any photographer to participate in. For those who have been brought into photography after the start of the digital age, this is a great opportunity to learn a little about the history of our hobby and pick up some new skills by shooting film. For those already familiar with the days of film, this is a great opportunity to get back to your roots and rediscover the magic of film photography. And for those already shooting film today, this is a great opportunity to share your knowledge with others and maybe pick up a new toy!

My main objective for the project as a whole is to show other photographers that film photography can be very inexpensive and exciting. For whatever reason, there’s a popular belief that film photography is expensive and tedious. But through your participation in this project, we can disprove that point and show everybody just how great film can be.

THE REQUIREMENTS

If you’re planning on participating in the project (and especially if you want to participate in the contest), pay careful attention to the following requirements. This is a multi-part project, and it’s going to require self-publication of a little writing and a little photography. Also – the links scattered throughout these requirements will prove to be useful.

  1. Find a Film Camera for Under $50
    That’s right, I’m asking you to spend money on this project (gasp!). Actually, you have two options here: 1) go buy a film camera, or 2) use one that you already have. I would encourage everybody participating to pick up a new camera, but if you’re strapped for cash and you already have a cheap camera, go ahead and use it. You can use any type of camera as long as it’s a film camera (and under $50).
  2. Shoot Some Film With Your New Camera!
    Go grab a couple rolls (or packs) of film and run ‘em through your new toy! Get acquainted with your camera and make note of the ins-and-outs of your particular equipment and film you’re using.
  3. Write a Review of Your Camera
    Once you’ve gotten comfortable with your camera, I want you to write a review of it. The purpose of this is to educate other photographers on that piece of equipment. Tell us where you got it, how much it cost, some of the cool features, some of the not-so-cool features, how to use it, what you love about it, etc. The sky is the limit here, and what you write is totally up to you.
  4. Publish a Photo of Your Camera
    To go along with your mini camera review, I’d like to see a photo of your camera. The photo can be taken with any camera of your choice — I just want to see what it looks like. This part is important, because your camera photo will be the link to your project entry when I post the final results (so make sure we can actually see your camera!).
  5. Publish an Entire Roll of Photos
    Hey, this is a photography project right? So let’s post some photos! Along with your review, I want to see an entire roll of film that was taken with your new camera (and it doesn’t have to be your first roll). Why an entire roll? Because it’ll be neat to see any mistakes along with the gold nuggets.
  6. Submit Your Link Here
    I know, it may seem like I’m asking for a lot here, but there’s really not too much work involved. To enter the project you will need to have a single URL link that will take me to your review, your camera photo, and your roll of film. There are plenty of ways to go about this — so no excuses!
  7. DEADLINE: SEPTEMBER 12, 2008

Based on our project history here at Epic Edits, I’m expecting some very high quality project entries!

THE CONTEST

All project entries will be automatically entered to win one of three prizes from our sponsors (and all three prizes are the same). Two judges will each choose their favorite project entry based on the quality of the review and on the photos presented. The third winner will be a “people’s choice award” decided by a poll when I post the final results. Here are your two judges:

Jim Talkington is a professional photographer of 20+ years, has had experience with advertising, photojournalism, editorial, catalog, darkroom technician, retail photo sales, writer, and many more facets of photography. He also has a strong history with film photography.

Udi Tirosh is a fellow photography enthusiast and photography blogger. He’s got a DIY attitude and he’s all about cheap and affordable photography equipment. Since this project is based around cheap old film cameras, I thought he’d fit right in as a judge.

So like I said, these two guys will each be choosing one winner to receive a Diana+ camera from Lomography and 10 rolls of film from ILFORD Photo. The third winner will be chosen by the blog readers. Good luck everyone!

THE ENTRY FORM

Before you enter your project, double check the requirements and rules posted above. If you don’t meet the minimum requirements, I’ll ask you to revise your entry. If you do meet them, I’ll send you a confirmation email.

[UPDATE: Here are five project entries from week 1 that stand out as good examples]

IMPORTANT: When submitting your project entry, please provide the link to the specific web page for your camera review (and be sure that the photos are accessible from your review). A link to you website, blog, Flickr stream, etc, won’t cut it. Please submit the page link.

[UPDATE] The results of this project have been posted — be sure to check out all 80 film camera reviews that we received.