This was shot using all natural light (it was in the shade on a very sunny day) and the camera was handheld with a 50mm lens. This plant caught my attention as I walked the canals of Venice, California — it was along the sidewalk behind the houses. The pattern was so very strong, and the colors so deep that I couldn’t pass it up. The water droplets on the plant were just icing on the cake.
Straight out of the camera — untouched.
I did a few basic adjustments to get the white balance correct and to bring up the contrast and saturation. Nothing very extreme though.
This one was taken on the Torrey Pines State Beach near my home in San Diego. The feet actually belong to my Mother-in-Law. I spotted her walking along the water near sunset and I couldn’t resist trying to get some “walking on the beach” photos. I shot about 7 or 8 in rapid-fire mode and this one turned out the best from all of them. The reflection turned out better than I had hoped, and the moment in mid-stride made for an interesting photo.
All of the following post-processing steps were done with Adobe Camera Raw — no Photoshop was used on this photo.
Untouched RAW Image
This is what the image looked like straight out of the camera. Not a lot of color to begin with, so black & white was a natural choice for me.
Black & White Conversion
Before doing anything, I switched to grayscale. I pushed the red, orange, yellow, green, and aqua to negative compensation while the blues, purples and magentas were pushed in the positive direction.
I left the white balance set at a temperature of 5100 and a tint of -1. I left the exposure near zero, while I boosted the recovery to 33, fill light to 41, bumped the blacks up to 34, increased the brightness to 76, pushed up the contrast to 19, and I ramped the clarity all the way up to 100.
Tone Curve Adjustment
Using the parametric tone curve, I set the highlights to +22, lights to +49, darks to -33, and shadows to -47. This gave me the strong contrast I was after, and I actually pushed a few (very few) of the shadows off the histogram. Overall, the image is heavy on the darker tones.
Vignette and Sharpen
In the lens correction menu, I set the vignette to an amount of -70 with a midpoint of 20 — and this gave me the strong frame around the subject. As a last step, I set the sharpening under the detail menu to an amount of 50 with a radius of 1.5 pixels.