Tag Archives: Nature

Link Roundup 08-23-2010

Okay… these are a little old, but I’m just getting back on the ball with my feed reading and link sharing. I have plenty more coming, but I didn’t want to push them all out at once.

On a side note, we’re also going to get the Flickr Challenge going again. The current challenge is “environmental portraits” — you can read the announcement here and see the current entries in the pool. I’ll be choosing the winners sometime this week.

2009 Nature Calendar for the WWF

One of our fellow community members, Mathew Ballard, proudly pointed out that one of his photos was selected (from thousands of entries) to be included in a calendar with a great cause. The calendar is a creation from a DeviantArt member which includes photos from other members.

All of the proceeds from this calendar go directly to the World Wildlife Fund, certainly supporting a good cause. The calendar costs $19.95 plus shipping and handling. This is a great deal for all the nature lovers — you get an awesome calendar and you get to help save the world.

And congratulations to Mathew for being included in this calendar!

Purchase the 2009 Nature Calendar
Visit the World Wildlife Fund
Visit Mathew Ballard on his Blog
Visit Mathew Ballard on DeviantArt

Radially

Radially

Brian Auer | 03/08/2008 | Venice Beach, CA | 75mm * f/4.0 * 1/60s * ISO100
[Print Pricing] [Contact for Signed Prints] [See it at Flickr]

This was shot using all natural light (it was in the shade on a very sunny day) and the camera was handheld with a 50mm lens. This plant caught my attention as I walked the canals of Venice, California — it was along the sidewalk behind the houses. The pattern was so very strong, and the colors so deep that I couldn’t pass it up. The water droplets on the plant were just icing on the cake.

Radially Post-Processing

  1. Unprocessed RAW
    Straight out of the camera — untouched.
  2. Processed RAW
    I did a few basic adjustments to get the white balance correct and to bring up the contrast and saturation. Nothing very extreme though.
  3. Dodge & Burn
    Here, I used non-destructive dodging and burning techniques to really make the contrast stand out where I wanted it.
  4. LAB Saturation
    Using the technique I outlined previously for boosting saturation via LAB color mode, I strengthened the greens that are so inherently present.
  5. High Pass Sharpen
    I used a very subtle sharpening by running the high pass filter and setting the blend to overlay at 50% opacity.

As you can see, lots of little changes really add up from start to finish.