Tag Archives: processed

Grand Cayman Fuel Depot

Grand Cayman Fuel Depot

Ryan Goodman | 11/03/2006 | Cayman Islands | 27mm * f/22 * 1/4s * ISO100
[Project Announcement at CameraPorn.net] [See it at Flickr]

This week’s photoblog is another special edition. The photo once again isn’t mine, but it’s one that I processed. Ryan Goodman ran a project asking his readers to revisit and retouch one of his photos. I’m a little late in getting around to doing the project, but the deadline is January 25 — so you still have a bit of time to get an entry in if you’re interested in participating.

I wanted to give this one a go with black & white, and after checking the sky on the underexposed version of this image I knew I wanted it to be kind of dark and looming. So here’s how I went about it.

Grand Cayman Fuel Depot Post-Processing

To see the original files, check Ryan’s project announcement page. The RAW files were all cropped and rotated as seen in my final output.

  • 0 EV Base Layer
    Processed in ACR for overall brightness, contrast, etc. This layer serves as a base layer to build upon.
  • -2 EV Composite Layer
    Again, processed in ACR. I masked out the layer and “painted in” the areas I wanted to darken via the mask. Then I set the blending mode to Multiply in order to help darken things up even more. I darkened the sky heavily, and the water a moderate amount — leaving the rocks and the fuel depot alone.
  • +2 EV Composite Layer
    Again, processed in ACR. Just like the previous layer, I masked out this layer and started “paining in” the areas I wanted to lighten via the mask. This one was all focused down in the water and rocks. Then I set the blending mode to Linear Light at 60% fill to add an interesting contrast look to the rocks.
  • Black and White Conversion
    Photoshop CS3′s Black and White adjustment layer set to “Red Filter”.
  • Curves Adjustment
    Fairly strong “S” curve to bring out the contrast.
  • Contrast Layer Blends
    Duplicated the output thus far twice. One layer was set to a Linear Dodge layer blend with 16% opacity and 70% fill (to lighten the highlights). The other layer was set to a Multiply layer blend at 10% opacity and 100% fill (to darken the shadows).
  • Sharpen
    Unsharp mask at 100%, 2.0 pixels, and a threshold of 1.

Enjoy!

Railroad Romance

Railroad Romance

Rich Legg | 09/11/2007 | Unknown Location | 104mm * f/5.0 * 1/250s * ISO100
[See it at LeggNet’s Digital Capture] [See it at Flickr]

This week’s photoblog is a special edition. The photo isn’t mine, but it’s one that I processed. Rich Legg ran a small project by calling photoshoppers out to process one of his untouched photos. I barely squeaked my way in by being the fifth one to contact him. I won’t go into all of the details on why I processed this image the way I did, because I’ve already done so on the project results page over at Rich’s blog — so go definitely check it out!

Railroad Romance Post-Processing

  1. Original JPEG
    Here’s what the full-sized JPEG image straight out of the camera looked like.
  2. Processed RAW
    I didn’t do much processing in ACR on this one. Auto Exposure settings with slight adjustments. And I cropped it way down (for reasons mentioned on Rich’s blog). I also cloned out the rock in the bottom right corner.
  3. Curves Adjustment Layer
    I brought up the contrast a little with an “S” curve to start things off.
  4. Channel Mixer Adjustment Layer
    I ran the channel mixer with 34% red, 66% green, and the output set to Monochrome. This made a black and white image, but I then set the blend mode to Overlay and reduced the opacity to 80%.
  5. Saturation Adjustment Layer
    I reduced the saturation by bringing the level down to -35 and leaving the Hue and Lightness alone at zero.
  6. Photo Filter Adjustment Layer
    I used an LBA Warming Filter set at 35% density to warm up the image. I should have reduced this value for web output because the web browsers tend to show things slightly oversaturated, but this is how I sent the file back to Rich.

Enjoy!