Tag Archives: wedding photography

Tips & Ideas for Wedding Photography

About The Author: This article has been contributed by Nick Smith from Digital Wedding Secrets. Digital Wedding Secrets is a guide focused on the wedding photography. If you are passionate about wedding photography then Sign Up to its RSS or FREE Digital wedding newsletter to receive more wedding photography tips.

пора к плите и кастрюлям!! 2/2
Creative Commons License photo credit: Pelipe

[tweetmeme]Nobody strives to be boring and mundane, and yet countless weddings and wedding photographs achieve that goal with flying colors. To raise the stakes as a wedding photographer (and therefore your prices and reputation), you need to offer a dual personality as wedding photography — one side that will ensure/guarantee the Bride & Groom that they’ll get all the “standard” (read: blah) photographs for a wedding photo package. And the other side that will enthusiastically suggest box-breaking, creative and imaginative ideas that might raise an eyebrow, but will guarantee a smile and/or a laugh (or a gasp) when you submit your final photos to the Bride & Groom. Dynamic photography is all about finding those definitive moments and framing them with evocative lighting… that’s your mantra; I’ll give it to you for free!

Wedding imagery on a grass roots level is just formalized party photography, so that being said, what makes party photography even remotely interesting to look at? That’s right, the spontaneous, unexpected, intimate and candid photographs that details the B-Story Moments of an event. The sterile portraits that most people expect and therefore get won’t get you rave reviews or make the job compelling for you, so push the envelope.

Planning Makes Perfect

The Shoot in photo parlance is actually a production, and for any production to be successful a plan must made, rehearsed and carried out to perfection (or as near as perfection as possible). This is doubly important with wedding photography, because the “event” isn’t staged, it’s happening live… in real-time. Therefore the preproduction planning stages are crucial. During this stage, scouting the location for lighting issues, potential backgrounds and event staging can be determined and discussed with the Bride & Groom. You can take test photos during the preproduction stage, and determine what additional equipment (like a third camera; a second one is mandatory) you might want to acquire the best images on the day of the Big Event. You can also establish a photo coordinator from someone close to the wedding party to help you corral the various groups during the day of the shoot. Sure you’ll have some authority, but not enough to get all that you need make the most of the day.

During the planning stage, you can make your production checklist, so there’s memory slips on the day of; you’ll have it all mapped out and handled by the night before, so that all you have to do on the day of the Wedding is get up, get dressed and drive to the venue.

Here’s another free mantra for you; If you fail to plan, then you plan to fail.

Inspired Images: The Photo Essay

A photo-journalistic style is top among the techniques and tricks that can enhance any wedding photo package, but in reality you want to create a photo essay of the wedding, not just document what happened with a journalist’s flair and/or a creative eye. A photo essay has a more impressionistic slant to it; the images need to feel as poetic as possible. This will enable you to take chances with lighting, composition and subject matter that stretches the limits of photo journalism.

Remember, the photo-essayist looks to find singular lyrical moments and combine those moments such that they deliver more emotional impact than typical compelling photo journalistic/reportage imagery. Of course this technique/skill requires a most creative eye, and the ability to find the moments that might not be the center of the “action” but are more poignant and potent for the final outcome.

Build Rapport

Successful photographers build a rapport with their subjects prior to doing any meaningful shooting, just ask any National Geographic photographer how they get those stand-out images. So you need to follow that lead when it comes to Wedding Photography and establish a rapport with the Bride & Groom. The ideal time for this is during the walk-thru when the full wedding party is all there, and any pre-wedding day photographs (like engagement photography session) that the Bride & Groom want (suggest this if they haven’t thought of it). Be sure to be as engaging as possible; cracking jokes might be a bit much, but be as jovial and open as possible. All these people need to trust you in intimate moments, when most of them are probably going to be a little drunk (or maybe a lot drunk) and be emotional in rare ways. You have to be an insider, not an interloper.

Brutal Editorial Review

While it’s most important to shoot (perhaps too) many photographs, the purpose of this is to have the broadest possible selection possible to present to the Bride & Groom; not to mention that memory storage cards is notorious cheap these days, so bring enough cards and fill them up. And when doing this presentation, make sure that you are showing the absolute best “selects” of the 100s, if not 1000s, of photos that you took. Only your best work needs to be seen by the Bride & Groom. If you don’t have a great editorial eye, then find someone who does and whose opinion you trust. This most critical to having a happy Bride & Groom, because when they return from their honeymoon and want to see the photos they need to re-create the emotional highs of the wedding day. Even if the Bride & Groom aren’t expects at examining photos (and who expects them to be?), they will instinctively know when a photo is good or if a photo is great.

Takes these tips for what they’re worth, maybe you already do all these things. So this is just confirmation that you’re on the right track. Remember, you are a professional, and there is a specific pattern of behavior that is required of a professional; keep that in mind at all times and you’ll be successful. Professionals are prepared, open-minded and have boundless energy for the current project when it’s “go time.”

About The Author: This article has been contributed by Nick Smith from Digital Wedding Secrets. Digital Wedding Secrets is a guide focused on the wedding photography. If you are passionate about wedding photography then Sign Up to its RSS or FREE Digital wedding newsletter to receive more wedding photography tips.

Must-Bring Cameras for Wedding Photography

[tweetmeme]Guest post from Nick Smith, author of Digital Wedding Secrets – a guide solely focused on the wedding photography and its business. If wedding photography is your passion too then Sign Up to its RSS or the FREE Digital wedding newsletter to receive wedding photography tips in your email.

For many, Wedding Photography is the “pays the bills” aspect of photography, and therefore it might get short shrift on the respect meter because of the seemingly lack of “excitement”, but as my friend in the movie business says, “if you take the job, you do the job” and that means no griping. And honestly, there is a compelling aspect to wedding photography, let’s take a look, shall we?

The truly interesting thing about Wedding Photography is that it has an editorial aspect to it as well as a photo-journalistic aspect to it (or at least you should position yourself as a photographer who offers a blend of both). This dual nature enables you to provide a premium product… with a premium price.

While it goes without saying bringing two cameras to a wedding is the minimum ideal way to go. However, the true question is what two cameras to bring? I’m going to suggest a dSLR and a Rangefinder.

dSLR

A wedding
Creative Commons License photo credit: yaili

Canon and Nikon make some extraordinary dSLRs and the higher end Prosumer models can easily handle nearly every situation conceivable for wedding photography. Obviously Pentax and Olympus make quality product, too, but Canon and Nikon are the two heavy weights. dSLRs provide you with so much versatility in lens choice and other accessories. But there are few specifications that you might want to consider (either when renting a second or third camera, or buying a second camera, and possibly trading in one of the cameras that you do have) to ensure that you don’t miss a shot. The camera’s recycle time and burst fps are important factors to weigh, as well as what type of flash units the camera can accommodate (i.e., a High Sync Flash unit). It’s important to use a full-frame dSLR, this is pure an aesthetic bias on my part, but you want to be able to use as many lenses as are available in your camera manufacturer of choice’s line. Sure you could miss out of the fully computer-controlled lenses, but you might have a favorite lens that was for a film camera.

Most people will do well with two dSLRs, one fitted with a wide angle zoom (perhaps a 17mm-35mm), and the other with a telephoto zoom (probably a 85mm-200mm). This combination will enable you to quickly jump back-n-forth for group shots and tighter more intimate shots… without having to swap lenses, and perhaps miss a crucial shot.

A Rangefinder

Leica addict
Creative Commons License photo credit: c-reel.com

Why a rangefinder?, you ask. Simple, these most innocuous of cameras allow you to get extraordinarily candid and intimate shots that you might not otherwise be able to get with a dSLR. The level of intrusion that an dSLR causes can ruin the spontaneity of precious moments; not to mention that some people act a fool when they see a camera in active position.

Now I wouldn’t say that these cameras really fallen out of favor, more like they have become the ultimate niche photographic item. And the granddaddy of them is the Leica M7 or its digital cousin the M9 (Leica’s newest, most state-of-the-art digital camera). The unparalleled image quality that these cameras provide are worth taking the time to learn the unorthodox focusing method.

Leica’s new M9 is an AWESOME digital camera with a full-frame (24mm x 36mm) image sensor and captures images in a high-density RAW format. And because of the full-frame image sensor,you can effectively use any of the Leica lenses from the past 30 years… and those are perhaps the lenses on the planet. Known for their sharpness, incredibly speed, and lack of chromatic aberration, you’ll be awe-struck at the quality of the photos.

Bride
Creative Commons License photo credit: zamario

I had mentioned earlier the photo-journalistic aspect of Wedding Photography, well with a Leica (or any rangefinder for that matter) you can take on the role of photo-essayist. Rangefinders, and the Leica in particular, have supremely quiet shutter releases, so hardly anyone will know that you’ve actually taken the photo. Plus you can focus and fire from the hip so easily that you’ll have an unprecedented ability to grab photos with practically no one noticing. This gives you a lot of creative power as a photography, because you can concentrate on getting the Wedding Party and the guests to behave as naturally as possible.

You might think the Leica is overkill (due to its price), but the images will be well-worth it (and if you rent it, the actual expense is minimal).

So the camera configuration of two dSLRs and a rangefinder can yield you a wider variety of more compelling photographs with different feelings and emotions captured. That’s what the clients ultimately want, images that define the moment, that will spark memories in the future and will stand-out from the standard wedding photography fare (not that you won’t offer those as well, but it’s always about offering more than the standard these days).

About The Author: Nick Smith is author of Digital Wedding Secrets – a guide solely focused on the wedding photography and its business. If wedding photography is your passion too then Sign Up to its RSS or the FREE Digital wedding newsletter to receive wedding photography tips in your email.

115+ Wedding Photography Tips


Creative Commons License photo credit: X.u.k.i

[tweetmeme]After reviewing David Ziser’s wedding photography book, Captured by the Light, I decided to dig into my collection of bookmarked articles in search of even more wedding tips. I came up with quite a few, and supplemented the list with a quick search around the web.

I’m sure this isn’t a comprehensive list of all wedding photography tips out there, but it’s not a bad start. In these 13 articles, there are over 115 tips covering many aspects of wedding photography from lighting to composition to planning to the business end, and many more. So if you’re getting into wedding photography, check out these resources and take some notes!

(21 TIPS) FOR AMATEUR WEDDING PHOTOGRAPHERS

(11 TIPS) BUILDING YOUR WEDDING BUSINESS

(2 TIPS) ESSENTIAL LIGHTING TIPS FOR WEDDING PHOTOGRAPHY

(10 TIPS) PHOTOGRAPHING YOUR BEST FRIEND’S WEDDING

(32+ TIPS?) CHRISTOPHER MAXWELL: WEDDING PHOTOGRAPHY TIPS

(1 VIDEO) HOW TO PHOTOGRAPH A BRIDE

(8 TIPS) WEDDING PHOTOGRAPHY SURVIVAL TIPS: THE PREPARATION

(A BUNCH OF TIPS) WEDDING PHOTOGRAPHY – LESSONS LEARNED

(6 TIPS) WEDDING PHOTOGRAPHY 101

(5 TIPS) WEDDING PHOTOGRAPHY COMPOSITION

(9 TIPS) WEDDING PHOTO TIPS FOR AMATEURS

(10 TIPS) PHOTOGRAPHING MY FIRST WEDDING

(HUMOR) HOW WEDDING PHOTOGRAPHERS ARE LIKE GANG MEMBERS

YOUR TURN

If you know of any other good wedding photography tips, tutorials, and/or resources, feel free to leave the links in the comments below. And if you have any good wedding shots of your own, show them off!

Calling the Shots at Weddings – Tips for Amateur Photographers

This article is contributed by Sarah Scrafford, who regularly writes on the topic of Photojournalism programs. She invites your questions, comments and freelancing job inquiries at her email address: sarah.scrafford25@gmail.com.

Endless love
Creative Commons License photo credit: millzero.com

Getting married is one of the most significant events in our lives, and we’re all looking to cement memories of that special day for posterity through videos and photographs. This makes wedding pictures exceptional, as the occasion does not repeat itself for most of us. While professional photographers are likely to do a great job of capturing the event, there are times when the bride and groom prefer a close friend or relative to step up to the occasion. If you’ve been designated as the photographer for the day because you own a pretty good camera and are known for your amateur photography skills, here’s how you can make sure you do a pretty decent job that earns you more than a pat on the back:

  • Make sure your equipment’s up to scratch
    You cannot afford to be caught unaware with a camera that refuses to bow to your wishes while the ceremony’s taking place. Make sure your gear is in working condition and that you have an equally good backup camera. Besides this, you’ll need memory cards, batteries and chargers (I’m assuming you’re going digital) to back you up in your efforts. You’ll need between 8 and 10 megapixels in strength on a digital SLR camera in order to get the best pictures. If possible, find yourself an assistant who can help with your equipment and also take a few candid shots while you handle the more formal ones.
  • Case out the location before the actual day
    You need to be familiar with the location well before the actual event so that you can decide on the vantage positions from where you can get the best shots. Besides this, if you’re supposed to get pictures of the bride and groom and their parties on the way to the venue of the wedding and the reception, you need to know where you can position yourself along the way so that you can get some good shots.
  • Talk to the bride and groom to discuss the kind of pictures they want
    Some couples prefer a minimum amount of pictures while others want to go the whole hog and get everything that’s happening on camera. Discuss the needs of the bride and groom and make plans accordingly.
  • Make sure you get all the formal shots needed
    You don’t want to be the one responsible for the displeasure of disgruntled relatives who find they’ve been left out of the photo album. So make sure you get everyone who counts on camera. To ensure that you don’t mess up, get someone from the groom’s side and someone from the bride’s side to help you out with the arrangement and preparation for the shots.

  • Be ready and prepared
    There are no chances for action replays or reshoots at weddings, so make sure you’re prepared with a fast camera and faster fingers. Also, don’t delete any pictures from your digital cache until you’re sure you don’t want to print them as part of the final album.

Make sure your efforts make the day even more memorable, no matter how many years go by.

Kelley & Elkins TTD - Explored!!!  Yippie!
Creative Commons License photo credit: kel niemann

This article is contributed by Sarah Scrafford, who regularly writes on the topic of Photojournalism programs. She invites your questions, comments and freelancing job inquiries at her email address: sarah.scrafford25@gmail.com.